White People in Rap: A History


via New York

These are heady times for white people in rap: This month has seen both the return of Eminem, the greatest white rapper of all time, and the debut of Asher Roth, the most commercially viable white rapper since Eminem. But that doesn’t mean hip-hop has gone post-racial in the ten years since Em broke out — just as always, the points of intersection between white people and rap music have been a head-swirling mix of the good, the bad, and the ugly. And it’s all here, in Vulture’s Condensed History of White People in Rap.

1981: Blondie releases “Rapture,” a pop song featuring one rap-style verse, in which Debbie Harry makes references to Fab Five Freddy, eating cars, and execution-style murder. It is one of the first hit songs to incorporate elements of hip-hop.

1983: The Beastie Boys, a trio of downtown hard-core kids, have an underground hit with sort-of-rap song “Cooky Puss,” a prank call to Carvel set to a hip-hop beat.

1984: Rick Rubin, then a student at NYU, meets Russell Simmons, then a fledgling artist manager, and the two create the hip-hop label Def Jam. They initially run the operations out ofRubin’s dorm room. Continue reading

[audio/video] Natalie’s Rap (explicit)

OK, I’m the first to admit, I don’t know who set it off but the ongoing trend in Hollywood is after you make it big, try your hand at rapping. I don’t know if Hollywood’s elite is sitting there reading into Will Smith’s success and thinking they have to duplicate it step by step but first we had Joaquin Phoenix, now Natalie Portman (Princess Leia from Star Wars) is making her rapping debut. I think this started out as a SNL spoof, but there is a full unedited version of her “rap” floating around. Here goes…

Unedited version

Rick Rubin To Be Removed From Sony?

Music guys just hate going to the office.


via Hiphopdx

Reports speculate that Sony Music will be removing Rick Rubin as co-head of Columbia Records. The legendary producer, who founded Def Jam, took the post in 2007.

Fox News’ Roger Friedman reports that Sony executives are unhappy with several of Rubin’s moves, such as producing a hit album for another labels, such as Metallica‘s Death Magnetic on Atlantic Records.

Sony executives also supposedly cite Rubin’s move to an expensive office in Beverly Hills, which he allegedly does not use.

Finally, it was revealed that Rubin had been recording tracks with rival Universal Music Group’s act U2.

The report indicates that Sony plans to “offload him to a side label deal, and remove him from the main company.

Rubin has been known as an innovator in the music industry for over 20 years, having signed historic acts such as Public Enemy and The Beastie Boys, among others. He has worked with a myriad of artists such as Jay-Z, LL Cool J, Shakira, Dixie Chicks, Red Hot Chili Peppers, Run-DMC and Johnny Cash.

Beastie Boy Adam Yauch Documents High School Phenoms in “No.1st Spot”.

Michael Beasley

Source: Variety

Some of college basketball’s brightest stars, including Kansas State’s Michael Beasley and UCLA’s Kevin Love, are featured in Beastie Boy Adam Yauch’s new documentary, “Gunnin’ for That No. 1 Spot”.
Yauch took his camera to Harlem’s famed Rucker Park, made famous by streetballers, in September 2006 to document some of the nation’s top high school talent, who were playing in an event there.

Full story here